Publications
Journal of Written and Visual Arts : Volume 1
Paperback - Photography - Visual Art - Writing - 158 pages - 6” x 9”
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East Window Journal of Written and Visual Arts confronts the realities of racial injustice, inequity within queer communities, and the widening chasm of class divides in a political landscape riddled with toxic rhetoric and systemic oppression…
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The East Window Journal of Written and Visual Arts is a space where raw truths and the arts of resistance collide, ignite and illuminate.
Contributors are selected from an open call for work as well as by invitation. Their words and images confront the realities of racial injustice, inequity within queer communities, and the widening chasm of class divides in a political landscape riddled with toxic rhetoric and systemic oppression.
To our contributors and readers, we thank you for refusing to look away, for using this platform to forge new connections, to provoke, disrupt, inspire, and heal. Thank you for your support and engagement.
The artists featured are: Eli Clare, Harry James Hanson, Eric Raanan Fischman, Amy Kohut, Aimee Herman, André Ramos-Woodard, Rajiv Mohabir, Lucky Garcia, Alec Dai, Cal Duran, Charlotte Piper, William E. Jones, Crisosto Apache, James Hosking, Jason Masino, Kanthy Peng, Aurora Levins Morales, Narcissister, R.H.R. Surgener, Deneishia LeArtiste, Shadows Gather, Zoid Hæm.
Disgust: Unhealthy Practices
Paperback - Photography - Visual Art - Writing - 96 pages - 6” x 9”
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Disgust: Unhealthy Practices builds a bridge between our moral imperatives and the wilds of survival; the cusp of emotion and instinct…
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Disgust is often seen as the bridge between our moral imperatives and the wilds of survival; the cusp of emotion and instinct. Activated in response to what we perceive or imagine as revolting, sick, infectious, diseased, contaminated and thereby threatening, disgust signals our awareness of fissures between feelings of safety and peril, stability and insecurity; of disjunctions that threaten facets of our personal identity and society at large.
Our collective actions relative to our experiences of disgust often bear witness to damaging prejudices and rhetorics, which attempt to conflate those who we perceive as different from ourselves, socially, culturally, politically, sexually, religiously, in age or ability, with vectors of physical or moral contamination. To be clear, this project aims to confront, subvert and transform these prejudices, not reinforce them.
The images and texts which comprise this book freely explore issues of bodily function, ownership, control, choice or lack thereof. We see works grappling with violated physical and social borders and hierarchies; the violation of gender boundaries and fluidity; notions of contagion, purity, wellness, disease and how such constructs may be used to ostracize unwanted members of various social groups. What do these representations of our bodies, belongings and psyches, seen through the lens of disgust, really mean to us, that we should impose such powerful and dangerous abstractions upon them? What roles can disgust play in re-shaping other less negative social interactions and in constructing social values that are in turn supportive of those interactions?
The often volatile emotions expressed through the works in this project make it easy to assume that the only story they tell is one of adversarial engagement and oppression. However, is it possible that through these many evocations of violated personal and collective borders, a peculiar sense of solidarity is being revealed? For when an out-group, seen from any side, becomes so close as to be indiscernible from ourselves isn't that when it becomes most threatening?
In Passing : A Book About Death
Hardbound - Photography - Writing - 343 pages - 6” x 9”
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Cultural Writing. Poetry. This book explores our complicated interactions with the images, and memories of death…
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Cultural Writing. Poetry. This book explores our complicated interactions with the images, and memories of death. The book includes photographs, artwork and texts by professional and non-professional artists and touches on aspects of the very substance and frailty of human life as it passes while exploring both the diversity as well as the common threads in our experiences of death.
"Todd Edward Herman has done a wonderful job with this subject. The book will spark a dialogue about issues that are too often avoided" -- Elizabeth Westrate, Producer and Director of A Family Undertaking.
"A refreshing reminder that death is a commonality bonding all humans and in this way a journey taken together." -- Taj Forer
Co-Editor of Daylight Magazine
"An intensely personal book the collection feels very mindful of everyone s need to meet death on his or her own terms." -- Walt Opie
Camerawork: Journal of Photographic Arts
"In Passing a gift to us all compelling prose and images capture life's still point at its most blessed moment." -- Mary Clare Griffin
Author of Language Lessons for When Your Mom Dies
"Profound and compassionate, In Passing opens important discussions about death, social norms, and the connections between photography, memory, and mourning." -- Corinne May Botz
Photographer and author of The Nutshell Series of Unexplained Death
Shame Radiant
Paperback - Photography - Visual Art - Writing - 90 pages - 6” x 9”
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Shame Radiant explores more of the personhood and less of the pathology of our collective as well as our outlying experiences of this complex moral emotion…
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Shame Radiant began by asking the questions: What can we learn about how we regulate, uphold or challenge social norms, hierarchies or transgressions when shame is activated?
How can this powerful moral emotion turn inward, to ourselves, to our bodies, often catalyzing self-harm, self-negation, self-reflection, self-evaluation as well as healing? Writers, visual artists, and non-artists from around the world were invited to make work that collectively addressed their experiences with shame.
Shame Radiant offers an opportunity for participants as well as viewers to explore more of the personhood and less of the pathology of our collective as well as our outlying experiences of this complex moral emotion.
The artists featured in the book are: Adam David Bencomo, Amanda Coslor, Amy Fleming, Andrea Tejeda, Anne Waldman, Annette Isham, Ashley Andersen, Bootz Fritz, Brittney Denham, Bryn Robertson, Carol Dass, Chihiro Mori, Colleen White, Cora Angel, Dan Froot, David Keyser, Diane Fenster, Dona Laurita, Edina Picco, Ekaterine Kolesnikova, Elanna Conn, Elena Liventseva, Elizabeth Flinsch, Ellen Friedlander, Fan Ranran, Francis Kohler, Giuliana Funkhouser, Heather Goodrich, Heather Oelklaus, Ira Kremer, J.P. Mot, Jade Lascelles, Jesse Hanshaw, Johanna Granger, Josh Bergeron, Julie Fowells, Julie Hamel, Julie Harrison, Julie Puma, Kacy Jung, Kaelen Williams, Kasey Ferlic, Kayla Smith, Kellye Eisworth, Leah Diament, Lourdes Archundia, Luisa Zamora, Maria Grigoryeva, Matthew Calarco, Max Ferguson, Mayu Nagaoka, Melissa Stuart, Michael Bach, Michael Dixon, Michael Honegger, Mikayla Shuster, Monika Balu, Natja Soave, Nina Cruz, No Land, Olga Engibarova, Olga Tomkowiak, Olivia Hunter, Ona Janim Herman, Osamu Yokonami, Paola Katherine Rodriguez, Paula Gillen, Rachel Rowland, Ray Stephenson, Renee Marino, Roberto Rabadán, Roddy MacInnes, Santiago Garcia, Silva See, Tal Ben Avi, Tameca Coleman, Tara Evonne Trudell, Toni Oswald, Valentina Di Natale, Vanessa Leroy, Vee CR, Yvens Alex Saintil, Zsuzsanna Nagyscription text goes here
All Things Born / Proximate Seams
Paperback - 80 pages - 7.5” x 6”
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A visual-poetic collaboration looking into the limits and vulnerabilities of human bodies and other living things of this world…
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images by Todd Edward Herman
text by Jade Lascelles
design by Liz QuanA visual-poetic collaboration looking into the limits and vulnerabilities of human bodies and other living things of this world.
7.5×6″ | 80 pages | 2024
Todd Edward Herman is a visual artist and curator. He is the founding director of East Window Gallery and co-founder of Sins Invalid Performance Project.
Jade Lascelles is a writer, musician, and artist based in Colorado. She is the author of Violence Beside (Essay Press) and The Inevitable (Gesture Press).
Liz Quan is a ceramicist and designer based in Boulder, Colorado, known for her organic porcelain slip forms and vessels with a deeply refined but playful, engaging sensibility.